FREE ESSAY ON DIGRESSIONS IN VENUS AND ADONIS AND HERO AND LEANDER

DIGRESSIONS IN VENUS AND ADONIS AND HERO AND LEANDER

Digressions in Venus and Adonis and Hero and Leander
The poems Venus & Adonis and Hero & Leander have many similarities. Venus & Adonis,
written by William Shakespeare (1593), is the story of lovesick Venus and innocent
Adonis. Venus attempts to convince Adonis to have intimate relations with her. In the
poem Hero & Leander, written by Christopher Marlowe (1598), Leander convinces the
beautiful Hero to consummate their relationship despite her arguments. Another similarity
of the two works is the digressions within the poems. In V&A, the digression involves two
horses that are overcome by lust and eventually run off to mate in the woods. The
digression in Hero & Leander is also sexual in nature. It involves Neptune attempting to
seduce Leander. The digressions in V&A and Hero & Leander have parallel references to the
work as a whole. The digressions also have similar qualities that indicate the influence
of Shakespeare on Marlowe.
The digression in Venus & Adonis occurs during the first one third of the poem.
Shakespeare chooses to have the horses mirror the behavior of Venus and Adonis. The
stallion, Adonis' horse, mimics the actions of Venus. The stallion is the aggressor in
the relationship; it is he who approaches the jennet. He shows off his strength and
beauty by prancing and stamping on the ground. After his displays of strength and power
the stallion, "looks upon his love, and neighs unto her" (Shakespeare 41). It is clear
that the horse is entreating the jennet to submit to him sexually.
When Shakespeare describes the stallion he states that, "this horse excel a common one"
(293). This quote directly relates the horse to Venus. The reader knows that Venus is of
uncommon status, she is a god and therefore is immortal. Shakespeare uses this knowledge
to link the two characters. Venus is also very aggressive in her relationship with
Adonis. Shakespeare humorously describes the way Venus demonstrates her strength in a way
similar to the stallion. Venus takes, "over one arm the lusty courser's rein, Under the
other her tender boy" (31-32). Venus is attempting to use strength to get her love, the
way the stallion used his strength. Shakespeare is making a reference to how Venus' is
taking what is customarily the male role. 
The actions of the jennet in the digression can be compared to the actions of Adonis in
the poem. The jennet, when approached by the stallion, "puts on outward strangeness,
seems unkind: spurns his love, and scorns the heat he feels" (310-311). Shakespeare uses
similar terms to describe Adonis' feelings towards Venus. His feelings are described in
the first four lines of the play, " Hunting he lov'd, but love he laugh'd to scorn" (4).
These two lines indicate the direct connection between the stallion and Adonis in the
poem. 
There are several themes in the digression that parallels the poem as a whole. Adonis'
resistance to Venus is increasing her passion just as the jennet resisting the stallion
increases his passion. The stallion after being rejected by the jennet he "stamps and
bites the poor flies in his fume/he was enrag'd" (316-317). After Venus embraces Adonis,
his anger increases his beauty. "Pure shame and aw'd resistance made him fret, which bred
more beauty in his angry eyes" (69-70). Shakespeare implies to the reader, through the
parallelism in the digression, that Adonis will eventually relent to Venus as the jennet
relents to the stallion.
The digression in the poem Hero & Leander also parallels poem as a whole. The actions of
Neptune in the digression can be equated to the actions of Leader, outside of the
digression. Throughout the poem, Leander is entreating Hero to come to his bed. She
continually resists his advances stating that she has vowed her chastity to Venus. He
proceeds to "flatter, entreat, promise, protest, and swear" (Marlowe 268) in order to win
her love. Similarly during the digression, Neptune fights to win the love of Leander. He
follows him through the water and he, "watch'd his arms, and as they opened wide, at
every stroke betwixt them would he slide, and steal a kiss, and then run out and
dance..." (183-185). Neptune entreats Leader just as Leander entreats Hero. This
comparison gives the reader an indication of what Marlowe may have been planning for the
conclusion of the work. In the digression Neptune hurts himself out of love for Leander.
It is possible that the poem would have ended in Leander hurting himself for the love of
Hero. 
In the Hero & Leander digression, Leander's actions compare to the actions of Hero
outside of the digression. Hero attempts to hold on to her chastity, in spite of the fact
that she loved Leander. Hero pleads to Venus to help her maintain this chastity in spite
of Leander but "Cupid beats down her prayers with his wings; her vows above the empty air
he flings" (369-370). During the digression, Leander pleads to Thetis to help him escape
the seduction of Neptune. "That now should shine on Thetis' glassy bower/O! that these
tardy arms of mine were wings" (203-205). Hero attempts to reject the advances of Leander
just as Leander attempts to reject the advances of Neptune. 
The digressions in V&A and Hero & Leander have many similar characteristics. Both
digressions are sexual in nature. In V&A, the digression describes the courtship of two
horses. The digression in Hero & Leander describes Neptune's desire for Leander. Both
digressions also have a component of anger. In V&A, Adonis so enraged at his horse for
his lusty actions that he bans "his boist'rous and unruly beast" (Shakespeare 26).
Neptune, in Hero & Leander, becomes so enraged at Leander's rejection of him that he
almost kills him. "And in his heart revenging malice bare he flung at him his mace..."
(Marlowe 208-209).
Not only do the two digressions possess many similar characteristics, but also the reader
can find many references to V&A in Marlowe's Hero & Leander. In line 172 of Hero &
Leander, Neptune "mounted up, intending to have kiss'd him." This is a direct reference
to the boar attempting to kiss Adonis in V&A. Another reference to a theme in V&A occurs
fourteen lines before the digression in Hero & Leander: "But love resisted once, grows
more passionate." In the digression in V&A, the stallion grows more passionate when he is
rejected by the jennet, just as Venus grows more passionate when rejected by Adonis. 
The stallion in V&A can also be directly compared to Neptune in Hero & Leander. Both are
angered at the rejection of their love. The stallion, "stamps, and bites the poor flies
in his fume/ he was enrag'd" (Shakespeare 316-317). When Neptune is rejected he sends out
his mace to kill Leander for his offense. Both were also assuaged by a gentle response
from the object of their affection. 
The actions of the jennet can also be compared to the actions of Leander in the Hero &
Leander digression. The jennet teases the stallion with her lusty gaze. Similarly,
Leander teases Neptune by jumping into the water naked. In addition to this, both Leander
and the jennet are moved to kindness by anger and pain. When the stallion becomes
angered, the jennet "grew kinder and his fury was assuag'd" (318). Leander also responds
with pity after Neptune's rage. This causes the god to believe himself to be beloved by
Leander (Marlowe 220).
The two gods in these works can also be compared. Both Venus, in V&A, and Neptune, in the
Hero & Leander digression, are lusty and passionate. Both gods are rejected and angered
by the object of their affection. In addition to this, both Shakespeare and Marlowe refer
to the immortal in their respective works as a murderous creature. In V&A, Venus
"murders" Adonis' rejection with a kiss (Shakespeare 54). In Hero & Leander, Neptune
almost kills Leander twice, once by accident and once in anger. The similarities and the
parallelism between the two works indicate Shakespeare's influence on Marlowe's writing,
particularly the writing of his digressions.
The digressions in V&A and Hero & Leander add a great deal to the story because of their
comparative features. If the reader can understand the relationship between the
digression and the poem as a whole, the reader can come to a better understanding of the
work.. The digressions directly parallel the action in the poem. The two compared
digressions have many similar characteristics, these characteristics included
similarities in the digressions and references to V&A throughout Hero & Leander. 
Works Cited
Clark, Sandra, ed. Amorous Rites: Elizabethan Erotic Narrative Verse. London:
Dent, 1994.
Marlowe, Christopher. Hero and Leander. Rpt. in Clark. 3-39.
Shakespeare, William. Venus and Adonis. Rpt. in Clark. 31-70.