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FREE ESSAY ON PREJUDICE

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Prejudice in Children's Literature
An examination of the different ways prejudice can be approached in children's literature, focusing on Terry Pratchett's "The Amazing Maurice and His Educated Rodents" and Karen Levine's "Hana's Suitcase." -- 675 words;

"Pride and Prejudice" Article Review
A review of an article "On Pride and Prejudice". -- 1,250 words; MLA

Culture and Ethnocentrism - Is Prejudice a Given?
An analysis of the possible inevitability of ethnocentrism and prejudice. -- 1,500 words; APA

"Pride and Prejudice"--A Review
A discussion of the character development in Jane Austen's novel "Pride and Prejudice." -- 881 words; MLA

"Pride and Prejudice"--an Analysis
This paper analyzes the role of women as seen in Jane Austen's novel "Pride and Prejudice." -- 1,416 words; MLA

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PREJUDICE

By engaging in simple tasks such as taking a late night stroll, Staples automatically
becomes subject to others' racism and fear. His everyday life is under continuous
scrutiny by a white society that both fears and misunderstands him. Staples introduces
the very extent to which society fears black people in the first sentence. On a late
night saunter, his first victim [is] a woman - white, well dressed, probably in her early
twenties. Fortunately, in reality, the woman is not the victim of any black on white
racial violence; but, unfortunately, Staples is the victim of white racist presumptions
about his character, that are based solely on the colour of his skin. This incident makes
him realize he has "the ability to alter public space in ugly ways"; sadly however, it is
only the beginning of Staples' encounters with a predominantly white society and their
racial stereotypes. Staples realizes that women have a right to be weary of men while
they are alone at night; however, he takes "no solace against the kind of alienation that
comes of being ever the suspect." Somehow, despite all the animosity Staples faces, he
consciously, or "perhaps unconsciously" decides that he will "remain a shadow - timid,
but a survivor." He figures it will be better to accept how society views him, rather
than to fight it. He chooses to change his routine to make society comfortable, as to not
be a menace to anyone. Staples "[learns] to smother the rage [he feels] at so often being
taken for a criminal," for he knows that if he fails to do this, he will only go insane.
Furthermore, Staples presents a view of life in which a black male must live in order to
be accepted in today's predominantly white society. By taking certain "precautions," such
as whistling sunny selections from Vivaldi's Four Seasons while walking down the street
at night, society becomes more relaxed and a feeling of comfort is obtained in his
presence.
While Staples becomes somewhat assimilated into a white society, Clarke never feels "at
home" enough to emerge himself in to Toronto's way of life. Clarke, contrasting from
Staples, never speaks of any public encounters with other members of society; he only
speaks of interactions from his past in Barbados. Clarke feels " a significant part of
[his] history and development ended when [he] set foot in Toronto." This "rootlessness"
is what Clarke feels drives many immigrant youth to violence. Staples, on the other hand,
feels that violence is caused by "the male romance with the power of intimidation." In an
act to overcome this violence consuming him, Staples decides to integrate himself into
the world around him. Clarke, however, is blinded by "the absence of roots and ruins"
surrounding him, which prevents him from becoming a part of society. He feels "hollow,"
because the people and environmental features he grew up with are no longer in his life.
He decides to "forget" the city dwellers "to the detriment of [his] psychical
well-being." Clarke states that this is the reason for his silence and "[his] reticence,
sometimes [his] petulant reticence about things that normally summon passion." Unlike
Staples, who overcomes his rage, and carries on like normal, Clarke exhibits his rage by
remaining silent and refusing to become a part of this "transplanted 'home'." Because he
chooses this solitary lifestyle, he lies awake at night, alone, "[facing] an institution,
because there are no persons, no friends of childhood." Fortunately, this is nothing like
Staples, who ventures out into the world, whistling "sunny" tunes.
Both Staples' and Clarke's essays are well written. I was very interested in Staples'
first hand experiences in dealing with racism. Although I am saddened by the fact that he
has to mould his everyday routine to fit that of society's, I am very impressed by his
attitude towards life and how he chooses to live it. Clarke's essay presents a totally
different outlook on life. His negative outlook on life in Toronto is somewhat
depressing. It is difficult to give my opinion on the lives of these authors, for I
myself have no idea what their everyday lives are like. However, if I were able to make a
suggestion, it would be for Clarke to start experiencing life in Canada. He may meet
others, who feel just as "hollow" as he does, and perhaps, he might even find a new
"river" to call home. 
Bibliography
Just walk on by... Brent Staples
A stranger in a strang land Austin Clarke

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