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FREE ESSAY ON THE PSYCHOLOGICAL MESSAGE OF CATCHER IN THE RYE

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“Catcher in the Rye” and “Less Than Zero”
A look at the discourse of youth in the novels "Catcher in the Rye" by J.D. Salinger and Brett Easton Ellis' "Less Than Zero". -- 1,000 words; MLA

"Catcher in the Rye"
An examination of the role of symbolism in J.D. Salinger’s "Catcher in the Rye". -- 1,053 words; MLA

“The Catcher in the Rye”
An analysis of the narrative intentions of “The Catcher in the Rye” by J. D. Salinger. -- 2,072 words; MLA

J.D. Salinger's "The Catcher in the Rye"
A general review of "The Catcher in the Rye". -- 663 words;

"The Catcher in the Rye"
Symbolism and image patterns in "The Catcher in the Rye" by J. D. Salinger. -- 900 words;

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THE PSYCHOLOGICAL MESSAGE OF CATCHER IN THE RYE

The Psychological Message of J.D. Salinger's The Catcher in the Rye
A novel, like a movie, is a form of entertainment; however, some novels do a great deal
more than entertain. Some pack an emphatic psychological message. An illustration of such
a publication is Mark Twain's The Adventures of Huckleberry Finn. In addition, Ken
Kasey's One Flew Over the Cookoo's Nest is a narrative with a comparable central theme.
J. D. Salinger's The Catcher in the Rye is yet another instance of a story with an
influential psychological message. In essence, it explains that the transition from
childhood to adulthood can cause numerous frustrations toward one's friends, friction
between one's family, and most significantly, internal clashes within ones self.
First, while growing older, countless people enjoy the numerous new relationships they
acquire throughout their adult life; unfortunately, there are an exceptional few
individuals that dread the notion of making affiliations with new folks and fear that
previous friendships will be challenged during this changing point in one's life. A very
unaspiring character, Holden Caulfield scarcely attempts to maintain relationships with
his fellow classmates, prior acquaintances, and with characters with whom he has had
romantic encounters. During the story, Holden becomes aware of the fact that his
insensitive and unkind remarks are causing him a lack of support from earlier companions.
Near the termination of the novel, Holden remarks that, "About all I know is 
I sort of miss everybody I told about" (Salinger 214). Editor Leonard Unger interprets
the previous comment to indicate that, "This knowledge, though it is casually presented,
in the closing lines of the book, is a difficult, profound, and mature knowledge that
lies at the novel's center of gravity" (Unger 555). Throughout the book, Holden
consistently offends people due to his lack of social fluidity. In one case, Holden is on
an afternoon excursion with a character named Sally Hayes. During the course of the
afternoon, Holden and Sally become closer friends and seem to enjoy each other's company.
Unfortunately, Holden ruins any opportunity of friendship he may have had with her
because during a moment of frustration, he states, "You give me a royal pain in the ass,
if you want to know the truth"(Salinger 133). Due to Holden's moronic statements and
pessimistic attitudes towards people, he begins to penetrate the adult world with more
adversaries than allies.
Secondly, while most teenagers undergo occasional household disputes, a considerable
amount of adolescents also understand that cooperating with family members is essential
to make the transition into adulthood progress peacefully. While Holden conducts himself
rashly and irresponsibly, his younger sister, Phoebe Caulfield, often assumes the role as
the backbone of the Caulfield family. Holden conveys that after he went home that he
felt, "so damn happy, the way Phoebe just kept going around and around" (Salinger 164).
Consequently, someone who honors and cherishes his or her family, will end up more
mentally and emotionally secure. 
Even though loved ones frequently make errors and may sporadically be hinderences, family
members must overlook these minute imperfections. No other character ignores more flaws
than Phoebe Caulfield. It appears that the more faults Phoebe overlooks, the more Holden
takes her for granted. Yet despite the fact that Phoebe is regularly taken advantage of,
her love for her brother is never once doubted. During the novel, when Holden is leaving,
Phoebe articulates, "Why can't I go? Please Holden! I won't do anything-- I'll just go
with you, that's all! I won't even take my clothes with me if you don't want me to..."
(Salinger 206). Phoebe also informs Holden, "...I'm not going back to school. You can do
what you want to do but I'm not going back to school. So shut up. I'm going with you"
(Salinger 208). When Phoebe reprimands her brother, her true colors finally begin to
shine through her calm exterior while expressing her love for him. Author Warren French
reflects that, "...after Phoebe pleads to run away with him, he must forgo his own escape
to do what he can for her" (Helterman 437). Therefore, by encouragement, determination
and adoration, support from family members will assist in ones maturation.
Third, confidence in ones self and the ability to suppress negative conceptions will
generate more internal evolution. Holden Caulfield struggles to unearth his true identity
throughout the book. Editor Joyce Ross explains, "Holden never makes it clear if he is
mentally sick, physically ill or emotionally unwell. Yet readers of this story realize
that he is more emotionally unstable than anything else" (Ross 77). Part of his emotional
instability may come from the fact that his younger brother Allie died a few years before
the story takes place. Holden and Allie were supposedly great friends and Holden's
emotions were drastically severed when Allie passed away. During the book, Holden
frequently mentions Allie as if he were still alive. Holden's denial is one of the more
apparent indications that he is truly psychologically unbalanced. 
Self-confidence is the main component in the mechanisms of maturing. Holden never obtains
any self-assurance throughout the duration of the novel. Critic Martin Seymour-Smith
expresses that, "Holden is not convincing as an individual" (Seymour-Smith 325). Holden's
narrow-minded views about human existence are one result of his self-esteem deficiency.
Another result are his inconsiderate statements about others. A person's self-confidence
will climb higher if the person goes into each day with an optimistic outlook about life.

In conclusion, the transition from childhood to adulthood can cause abundant conflicts
toward one's friends, family feuds, and most importantly, it can trigger one's emotions
to become significantly high or low. An individual must obey the Golden Rule and envision
only affirmative thoughts towards others, if he or she would like for the conversion to
adult life to be flourishing. J.D. Salinger portrays Holden Caulfield as a pathetic,
inconsiderate young adult that strives to find himself and become a successful
individual. Critic Bernard Dekle indicates that, "Salinger is perhaps the greatest word
weaver in American literary history" (Riley 300). Developing and thriving as a person are
just two of the numerous privileges that a one gets to encounter on the path to a happy,
successful adult life.

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