FREE ESSAY ON WUTHERING HEIGHTS BY EMILY BRONTE

WUTHERING HEIGHTS BY EMILY BRONTE

In Wuthering Heights by Emily Bronte, numerous references are made to different conditions
of weather. Even the title of the novel suggests the storminess present in nearly the
entire book. The often-changing weather serves to signify the characters' personalities,
as well as the changes that they go through during the course of their lives.
In fact, the first incidence of a reference being made to the weather occurs with a
thought of Mr. Lockwood. "Wuthering being a significant provincial adjective," he says,
"descriptive of the atmospheric tumult to which its station is exposed in stormy weather"
(46). Because Wuthering Heights has been built on the moors, wind blows fiercely during
storms. At this point, Lockwood knows little about Heathcliff, but the significance of
the house's name will become more apparent to him later in the novel.
After getting settled into his new house at Thrushcross Grange, Lockwood decides to pay a
visit to Heathcliff. He arrives at the house just as snow is starting to fall and
observes the yard. "On that bleak hilltop," he notes, "the earth was hard with a black
frost, and the air made me shiver through every limb" (51). While it was cold at his own
house, it seems even colder here, and the weather is beginning to get worse. It isn't
even until he is at the gate of Wuthering Heights that the snow starts to fall.
As will later be shown, the earth at Wuthering Heights is as cold and hard as
Heathcliff's heart. He provides Lockwood with little food or comforts at his arrival and
does not attempt to be a gracious host. It is only with a great deal of gruffness that he
decides to allow Lockwood to spend the night at his house until he can go home the next
morning. This is one of the first indications of Heathcliff's lack of compassion for the
rest of humanity.
The next day, Heathcliff offers to accompany Lockwood on his way back home, explaining
that he will not be able to find the way on his own. While Lockwood thought he would be
able to find his way home based on rocks sticking up along the path, he finds the hills
to be "one billowy, white ocean; the swells and falls...blotted out from the chart which
my yesterday's walk left pictured in my mind" (72-3). 
The long, winding path nearest to Wuthering Heights is much harder to travel than the one
that leads to Thrushcross Grange, and it is easy to get lost. The first path resembles
Heathcliff's own path to the wild and contemptuous man he has become. If Wuthering
Heights is hopelessness and desolation, Thrushcross Grange is peace and salvation.
Heathcliff leaves Lockwood at this point, telling his tenant that he will be able to make
it the rest of the way on his own. Heathcliff lives at Wuthering Heights because a
desolate place is where he belongs, and his not walking the rest of the way to
Thrushcross Grange is symbolic of his not being able, or even wanting, to travel toward
happiness. Any happiness he had ended when Catherine died. 
One big turning point marked by stormy weather in the book is the day Heathcliff leaves
Wuthering Heights for the first time. After hearing Catherine say that she could never
marry him, Heathcliff's heart is broken and he creeps out of the house. When Catherine
realizes his absence, she gets extremely agitated, pacing from the gate to the door of
the house and wondering where he could be. 
The weather in this scene is very ominous. "It was a very dark evening for summer: the
clouds appeared inclined to thunder," Nelly tells Lockwood (124). Not much later, a
horrible storm begins. "There was a violent wind," Nelly says, "and either one or the
other split a tree off at the corner of the building...but the uproar passed away in
twenty minutes, leaving us all unharmed, excepting Cathy, who got thoroughly drenched"
(125).
Although it is the middle of summer, one of the times a storm like this one is unlikely
occur, Heathcliff's disappearance seems to bring it about. Catherine's relationship with
Heathcliff is as mysterious and powerful as the storm, which is why she stands out in the
downpour without giving a second thought to her wellbeing. Their relationship has always
been wild; they spent much of their childhood running among the moors, where they were
unrestricted and free to be themselves. Heathcliff has run off into these moors again, in
the midst of the storm. The violent storm, complete with lightning fierce enough to split
a tree, symbolizes the wrenching split of their intense bond.
The day preceding and morning after Catherine's death are surprisingly beautiful. On the
day before she dies, the sun is shining and the sound of a flowing brook can be heard
through her window. Though Catherine is near death, one good thing happens to her on that
day - Heathcliff comes to see her. Their reunion is bittersweet. He is anguished by her
sickly appearance and riddled with guilt and despair, and she expresses fury at him that
he abandoned her and that she is now dying because of it. But then they embrace, and
nothing could possibly tear them apart. 
The two who were always in love and meant to be together finally are, unfortunately right
before they will have to be torn apart for the final time. Very early the next morning,
Catherine gives birth to Cathy and passes away two hours later. She dies appropriately in
darkness, but the next morning's sunshine fills the house with a soft glow. Edgar and
Heathcliff are distraught and quiet, but the reason for the sunshine is that Cathy has
found peace at last. "Her brow smooth, her lids closed, her lips wearing the expression
of a smile," Nelly says. "No angel in heaven could be more beautiful than she appeared;
and I partook of the infinite calm in which she lay" (201). Catherine's life had been
filled with turmoil: the death of her father, Heathcliff's departure, marriage to someone
she did not love, and long periods of illness. Death was the only thing that brought her
any relief from her suffering, and the sun shining from the heavens expressed the way she
was finally free from pain. 
Years later, the young Cathy is grown and marries Heathcliff's son, Linton, who soon
dies. She later falls in love with Hareton Earnshaw, who returns her love, and in this
she finds happiness that her mother was never able to know. Heathcliff is angered, but
one night he walks out of the house, and when he returns, his normally bitter countenance
has changed to one of a strange happiness. Warm, sunny spring days with bright blue skies
follow his return for four days in which he refuses to eat anything and locks himself in
his room. Then the weather changed. The next evening, it rained all night and into the
morning. Nelly, taking a walk around the yard, noticed that Heathcliff's window was open
and the rain was pouring in. 
The days leading to Heathcliff's death, he finally managed to make some peace with
himself and the world, as Cathy had in her death. But his changing mood and changed
behavior could not make him a better person than he always had been. He died that night
with a "frightful, life-like gaze of exultation...and his parted lips, and sharp white
teeth sneered too" (365). It is difficult to know what Heathcliff was thinking in his
final moments. While her death was surrounded by sunshine, he died during a night of
merciless rain. Despite her fits of temper and selfishness, Catherine was always a
warm-hearted person deep down, as shown by the way she would stay to console people after
hurting their feelings when she was a child. But Heathcliff's only expression of any
compassion was toward Catherine; otherwise, he was as cold as the rain that soaked his
lifeless corpse. The weather present at his death served as a fitting end to his tortured
life.
Emily Bronte makes good use of the weather in important parts of Wuthering Heights. The
climates allow the reader insight into the minds, personalities, and situations of the
characters, who are as complex as the settings in which they find themselves. Snow in the
beginning of autumn is not surprising in a book where love is found, lost, and found
again, sometimes in another person and sometimes in death.